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2017 ABOG Fellowship for Socially Engaged Art

ABOG FELLOWSHIP FOR SOCIALLY ENGAGED ART

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CLICK HERE TO APPLY – Initial Letters of Interest due SEPTEMBER 19, 2016, 11:59 PM (EST)

Download or print: Fellowship Overview PDF & How We Decide PDF

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OUR MISSION

a blade of grass nurtures socially engaged art

We provide resources to artists who demonstrate artistic excellence and serve as innovative conduits for social change. We evaluate the quality of work in this evolving field by fostering an inclusive, practical discourse about the aesthetics, function, ethics and meaning of socially engaged art that resonates within and outside the contemporary art dialogue.


what we fund

  • Socially engaged projects in which art is a catalyst for social change.
  • Projects that feature artists in leadership roles.
  • Dialogue-based projects that emphasize sustainable partnerships with communities.
  • Projects in which artists engage community members as equal partners.
  • Projects in which co-creation with non-artists is part of the process.
  • We value process over product: relationship building and problem solving are key goals.
  • We provide funding with minimal restriction, and budget line items may include things like living expenses that are not direct project expenses.
  • We fund artists working nationwide, as well as artists based in the US who are working internationally.


what we don't fund

  • Projects in which the focus is on producing an exhibition, theater production, or objects for display.
  • Residencies or studio practice, except as they directly relate to achieving outcomes of a community-based project.
  • Projects that lack co-created outcomes and/or community engagement.
  • Artists or artist collectives registered as 501c3 nonprofit organizations.


meet the fellows

ABOG Fellows for Socially Engaged Art work in leadership roles and in partnership with communities, in ways that are relevant in everyday life, at ambitious scale, to enact social change. Click HERE to meet our current and past Fellows, and HERE to watch FIELDWORKS short documentary films, and learn about the type of work ABOG supports. 

ABOUT THE ABOG FELLOWSHIP

eligibility requirements

Eligible applicants for the ABOG Fellowship for Socially Engaged Art:

  • Are artists or artist collectives working independently. Artists or artist collectives registered as 501c3 nonprofit organizations are not eligible to apply. If you are a collective, please submit a single application under the name of the collective. Multiple applications for collectives are not permitted.
  • Are not currently enrolled as students.
  • Are US citizens, or US residents with legal work status. If applying as a collective, a US citizen or resident with legal work status must be the primary contact for the group.
  • Are at least 25 years of age.
  • Have not received an ABOG Fellowship for Socially Engaged Art as an individual or as part of an artist collective in the last 3 years.
  • Have projects that engage directly with a specific community or communities.
  • Have a website with contextualized examples of past work that a selection panel can review.

Kindly note, ineligible applications will not be reviewed. If you have questions regarding your eligibility, please contact: info@abladeofgrass.org


about the fellowship

The ABOG Fellowship for Socially Engaged Art is an active, year-long funding relationship. Documentation and field research may extend beyond the Fellowship year, in order to fully represent your project in your FIELDWORKS documentary and publication.

Fellows become active members in a cohort and participants in a program that features a range of services, including:

  • Project support of $20,000 with minimal restriction (budget line items may include things like living expenses that are not direct project expenses).
  • A two-day orientation that explores ABOG’s documentation and field research models, and includes workshops on strategies for community engagement.
  • A two-day midyear retreat with other Fellows to share progress and challenges, and offer feedback to one another.
  • Support and feedback for ongoing self-evaluation in the form of collaborative action research.
  • Field research by an outside evaluator. We want to understand how the projects we support impact communities, and capture and share innovative ideas and successful models for future use.
  • ABOG production of a short video documentary on each project.
  • Access to our broad network of specialists outside the art world. Ask us how we can help you connect with experts in issues your project addresses!

Fellows submit interim and final reports, each including a narrative description of activities to date and a budget update, to ABOG. 


ABOG fellowship for contemplative practice

Click here to read Frequently Asked Questions – ABOG Fellowship for Contemplative Practice.

This year, A Blade of Grass is pleased to introduce the ABOG Fellowship for Contemplative Practice in partnership with the Hemera Foundation.

This fellowship supports artists who work with the intersection of social practice and contemplative practice. Contemplative practice spans across many religious and secular traditions, and has been historically central to the artistic practice of many great artists. Applicants should be able to define their contemplative practice and the impact it has made on their life and work. Applicants should be able to demonstrate a commitment to their individual contemplative practice and be able to articulate how their contemplative practice influences their social practice.

Projects do not need to include contemplative practice with a community.

To be considered for this fellowship, you will be asked to describe your contemplative practice and the relationship between your contemplative practice and your artistic practice, as detailed in the online application form.

Click here to read FAQs on the ABOG Fellowship for Contemplative Practice.

Applicants who apply for the ABOG Fellowship for Contemplative Practice will also be considered as part of the larger ABOG Fellowship applicant pool.

Have further questions? Send us an email at: info@abladeofgrass.org

Please send us final questions by 5 PM (EST) on Thursday, September 15.


commitment to local artists

ABOG earmarks half of its total fellowships for artists living in New York City.

We recognize that there is a growing and vibrant community of socially engaged artists in our own backyard and we have a particular investment in strengthening our local artists and neighborhoods. We also see the mutual benefit of supporting artists who can work with us locally to co-create public programming and refine the fellowship in its early stages of development.

The remaining fellowships are open to all applicants, regardless of geographic location.


application timeline

This is a two-step application process. Semi-finalists from the first round will be invited to submit a full application with an extended narrative, budget, and a timeline with specific benchmarks for realizing each stage of their project.

  • Fellowship Workshops: June 29, 2016 & September 6, 2016
  • Deadline for submissions of Letter of Interest: September 19, 2016, 11:59 PM (EST)
  • Notification of all applicants; invitation to semi-finalists to submit full application: Begins November 7, 2016
  • Deadline for full application: January 6, 2017
  • Notification of semi-finalists: Begins January 30, 2017
  • Interviews with finalists (in-person or via Skype): January 30 – February 10, 2017
  • Notification of selected Fellows: Begins March 14, 2017
  • Fellows’ Orientation (mandatory): May 5-6, 2017

 

HOW TO APPLY

writing your letter of interest

We value your time and effort! Please read our Eligibility Requirements carefully before applying. Ineligible applications will not be reviewed.

The ABOG Fellowship for Socially Engaged Art is intended to support artists who take a leadership role, and engage directly with communities to develop projects of ambitious scale that promote social change. We do not fund projects focused on exhibition outcomes, artist residencies, or studio practice unless explicitly geared toward direct social engagement.

Be sure to frame your project in these terms as you address the following questions in your 500-word statement:

  • What is your proposed project? Clearly articulate project goals and explicitly describe how you intend to achieve them.
  • What is your artistic vision, and why is your project best framed as an art project?
  • How does your project enact social change?
  • Will the project be realized in the course of a year? If not, what do you expect will happen during a one-year fellowship?
  • Who will you be working with, and how will you be working with them? Describe your process for collaborating, and outline the relationships you’ve established with members of that community.

All applicants must submit the following via online form:

  • Eligibility screening
  • Link to a website with examples of past projects.
  • 500-word Letter of Interest
  • CV (or CV’s if applying as a collective) in PDF format

Make sure to submit your application via our online form only. Applications received via other means will not be reviewed.

Applicants selected as semi-finalists will be invited to submit a full application with an extended narrative, budget, and a timeline with specific benchmarks for realizing each stage of their project in early November 2016.

 

CLICK HERE TO APPLY – Initial Letters of Interest due SEPTEMBER 19, 2016, 11:59 PM (EST)

helpful tips!

Collectives should submit a single application under the name of the collective. To submit multiple CV’s, please consolidate them into one PDF document prior to uploading.

Special characters, such as ampersands, quotation marks, and apostrophes, take up extra characters when translated into HTML code in web-based application forms. If you notice a higher than expected word count when you copy and paste from your word processing program into the online application form, try the following:

  • Transfer your text into a text-only utility like TextEdit or Notepad before pasting it into the online form. This will delete hidden HTML code to ensure the proper capture of your text.
  • Try to avoid using special characters if possible (such as ampersands, quotation marks, apostrophes).
  • Use only one space after the end of sentences. If you enter two spaces after a period, HTML coding adds extra spaces. You can also save character space by limiting the use of tabs.

CLICK HERE TO APPLY – Initial Letters of Interest due SEPTEMBER 19, 2016, 11:59 PM (EST)
 
 

HOW WE DECIDE

reader and selection committees

  • A panel of readers made up of an artist, a community organizer or participant in a community-based art project, a curator or arts administrator, an educator or scholar, and an ABOG representative will review initial letters of interest and recommend up to 50 semi-finalists. All applicants will be informed of their status in early November 2016.
  • Semi-finalists will submit a full application by January 6, 2017, which will be screened by a separate but similarly composed selection committee.
  • ABOG staff will screen final recommendations made by the selection committee and interview the finalists.
  • Readers and Selection Committee members are asked to review Fellowship proposals using the specific context and criteria outlined below. (PDF version available here)


our stake in social practice

The ABOG Fellowship for Socially Engaged Art is designed to serve artists working in leadership roles and in partnership with communities, in ways that are relevant in everyday life, at ambitious scale, to enact change.

This specific stake in socially engaged art and these fellowship resources are informed by the book Education for Socially Engaged Art, by artist Pablo Helguera. Selection committee members receive a copy to use as a reference when reviewing materials. We specifically ask reviewers to keep in mind two of Helguera’s key points:

  • Socially engaged art is about activating members of the public (or a community) as collaborators, rather than passive receptors.
  • Artists who produce socially engaged works are interested in creating a kind of collective art that affects the public sphere in a deep and meaningful way, not in creating a representation of a social issue.

  • selection criteria

    We ask reviewers to rely on four criteria for evaluating proposals: artistic excellence, capacity to enact social change, viability in everyday life, and fit with fellowship resources. The specific questions we ask reviewers to consider are below:

    Artistic Excellence

  • Does the artist have a strong track record?
  • Is the project ambitious?
  • Is it aesthetically compelling?
  • Can it act as a leading example in the field of socially engaged art?
  • The Project’s Capacity to Enact Social Change

  • Does it approach a specific issue in a new way, or otherwise offer opportunity for innovation?
  • Does it enact, as opposed to represent, social change?
  • If the project is ongoing, does this proposal represent meaningful growth in the project?
  • Is the project aesthetically or formally innovative?
  • The Project’s Viability in Everyday Life

  • Does the project attract the interest of non-artist stakeholders?
  • Does it meaningfully engage a community or communities?
  • Is it legitimately helpful?
  • Is its language externally focused?
  • Is it meaningful in the absence of a contemporary art context or an initiated audience?
  • Is it feasible?
  • Fit with Resources

  • Is the artist working independently (i.e. as an individual or collective, and not as a 501c3 nonprofit organization)?
  • Will the artist and/or project particularly benefit from a supportive cohort of other artists working on similar problems?
  • Will the artist and/or project particularly benefit from occasional institutional assistance, such as contacts or consultation?
  • Will this project benefit from the artist’s guided self-reflection, reciprocal peer evaluation, and study by an outside evaluator?
  • Is this a project that can benefit from having its story told through an external voice?
  • Top Reasons Proposed Projects Were Not Selected

  • The project was not innovative.
  • The project was not aesthetically compelling.
  • The proposed project’s relationship to the community was poorly defined or overly prescriptive.
  • The proposal added a small community engagement component to a static public art proposal rather than developed a project with the participation of a community.
  • The project conflated access to contemporary art and social change.
  • The project primarily represented social issues rather than enacting social change.
  • The project proposed to represent a community without meaningfully engaging it.
  • The project had an impact exclusive to or primarily in service of the initiated contemporary art dialogue.
  • More feedback, from our review process in 2014, is available HERE.

     


     

    FELLOWSHIP WORKSHOPS

    Prior to the September 19 deadline, ABOG hosts two Fellowship Workshops which are free and open to the public with RSVP. If you are in NYC, we strongly recommend attending a workshop before applying. They are a great opportunity to meet staff, ask questions, learn more about our mission and how we consider applications, see great examples of the type of work we support, and get practical information about the methods socially engaged artists use. Fellowship Workshops can also connect you with a small group cohort for mutual assistance with writing your application to improve your chances of success. Fellowship Workshops take place from 6-8 PM at The 8th Floor, 17 W 17th St, in New York City.

    Fellowship Workshop with Black Quantum Futurism – June 29, 2016 – podcast below

    Fellowship Workshop with Chinatown Art Brigade – September 6, 2016

    If you are not local to NYC, don’t worry! Videos and materials from past Fellowship Workshops are available below.
     

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    Additional resources used during the workshops are available here:
     
    Is My Proposal Ready for Primetime?
    What Made a Proposal Uncompetitive?
     
    Example Letter of Interest – Courtney Bowles & Mark Strandquist (2016)
    Example Letter of Interest – Joseph Cuillier (2016)
     
    Example Letter of Interest – Sol Aramendi (2015)
    Example Letter of Interest – Mary Mattingly (2015)
     
    Example Letter of Interest – Jan Mun (2014)
    Example Letter of Interest – Jody Wood (2014)
     
    Frequently Asked Questions – ABOG Fellowship for Contemplative Practice
     
    Interested in joining a small working group? Contact: info@abladeofgrass.org
    We’ll introduce you via email to two other artists interested in independently reviewing each other’s proposals.

    Kindly note, sign ups for working groups closed Monday, September 12.

     

    CONTACT US

    Not sure whether your project is a good fit? Have questions about the application process? Send us a short description via email (not the whole application document), and allow 2-3 business days for a response: info@abladeofgrass.org
     
    Please send us final questions by 5 PM (EST) on Thursday, September 15.
     
    Stay connected with ABOG! Ask questions, receive fellowship updates, and learn more about our programs via:

    Facebook  Twitter  Instagram  YouTube  Vimeo  Soundcloud 2  Podcast 2

     

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    CLICK HERE TO APPLY – Initial Letters of Interest due SEPTEMBER 19, 2016, 11:59 PM (EST)

    Download or print: Fellowship Overview PDF & How We Decide PDF


     
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